Spencer Tunick is a photographer. Through his photography he seeks to reveal truths about the universe and the human condition. His camera is his means of making sense of the world, and communicating this sense to his audience, who are made wiser and more insightful as a result.
Tunick began taking photographs of nude people in 1986. Through his photographs of nude people, he made a profound statement about modernity and culture. However, he soon saw that simply taking photographs of nude people would not be enough to truly impact the world's consciousness in a way that would bring about lasting change in modes of thinking. He realised that only photographs of large numbers of nude people all in one place could do so. This insight has allowed him to explore themes of society, politics, and inner psychological states that heretofore were considered impossible for a single artist to successfully grapple with.
For example, Tunick has managed to encapsulate modern man's struggle with aspiration of status while simultaneously looking for a sense of the spiritual. He has done this by taking a photograph of a bunch of nude people:
Alternately, he has also examined human history, showing how the mistakes of the past are seemingly constantly repeated, but that progress can be and is made, however incrementally and painfully it is done. He skilfully portrays this via the means of a photograph of a bunch of nude people:
Feeling the need to explore new horizons, Tunick turned his attention to the future, and made a non-judgmental, achingly poetic exploration of how technology both shapes and is shaped by its users, and whether increased connectivity is worth the concomitant loss of deeper human feeling. This exploration was cunningly ande evocatively couched in terms of a photograph of a bunch of nude people:
The insights of Tunick on what it means to be human are almost endless. There is his comment on religious intolerance:
His summation of the immigration debate:
His opinion on the politicisation of climate change:
His thesis on tax reform:
And of course his scathing critique of the current system of banking regulation, with almost pithy comment on the urgent need for structural change to the International Monetary Fund's mechanism for providing aid to debt-stricken developing nations:
So, to sum up, Spencer Tunick is what might be called a true artist, a visionary who sees far so that we not have to, and he is no way a creepy middle-aged man obsessed with looking at nude people, or deserving of mocking phrases like "Spencer...for Christ's sake, get over it, man."